
At stand 11.C35 in Amsterdam, September 11–14, visitors are invited to experience a fully rigged boxing ring and see how RED brings the richness of cinema image quality to the speed and scale of live broadcast. IP-based integration, multi-camera live production, and the image quality RED is known for will go pound for pound inside a fully rigged boxing environment, headlined by RED’s V-RAPTOR cameras, the premier heavyweights in the Z Cinema lineup.
RED’s Cine‑Broadcast showcase gives attendees a fast, high‑impact look at how V-RAPTOR XL [X] and V‑RAPTOR [X] power real 4K 240p super‑slow‑motion replays, dynamic Steadicam ring‑walk coverage, and classic shoulder‑mounted broadcast capture. All camera feeds route to a fully equipped control desk featuring leading RCPs and switching, delivering a true end‑to‑end broadcast workflow right on the IBC show floor.
RED’s Cine-Broadcast Module has recently been deployed on events broadcast by CBS Sports, NBC Sports Group, and live streamed on Netflix. Fuse Technical Group integrated RED into its live event infrastructure, including recent tours by Zach Bryan, Rush and Jay-Z. RED also supported Epic Cinema in capturing David Guetta’s “The Ultimate Monolith Show” at Stade de France in Saint-Denis, France earlier this year.
In addition to its presence at IBC, RED will take the stage at SVG’s Europe Summit in Amsterdam on Sept. 10, where RED and Gravity Media will unpack why event owners and partners are increasingly demanding distinctive, high-end coverage that elevates the viewer experience, and how the Six Kings Slam broadcast achieved a premium, cinematic visual style.
- EVS (Stand #7B.11)
- ROE Visual (1D29)
- Motion Impossible (12.G64)
- LAOWA (12.C45)
- Ignite Digi (12.H70)
- Mo-Sys (14.C02)
- Tilta (12.A21)
- Atomos (7.B19)
- Datavideo (3.A34)
- Fraunhofer Digital Media (8.B80)
- AOTO (2.B24)
- Aspectra B.V. (11.C30)
- Astera (12.G53)
- Portkeys (12.D62)
- Vislink (10.D30)
- Sigma (12.C19)
- stYpe (7.C36)
- Matrox Video (7.B15)
