EFF Teaches Copyright, without an agenda

Image via Wikipedia When it comes to copyright, our youth are too often bombarded with extremes. The entertainment industry giants propagate a skewed perspective by launching anti-copying educational programs, leaving out much of the balanced information necessary to cultivating user’s awareness about her real rights to a resource. This results in students thinking that they […]

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Video Asset Management

TeleScope – Unleashing the Power of Video New Challenges Require Innovative Solutions Every minute counts. Content creators, editors, producers and IT asset management professionals know that their time is precious, as are the assets they are working on. The proliferation and adoption of video is everywhere – from digital distribution platforms to internet advertising and […]

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Fundamentals of Digital Asset Management Technologies

Image of CMS Watch Instructor:Theresa Regli: Principal Analyst, CMS WatchLength:5 modules, 4.5 hoursCost:$395 per student Register Based on the rigorous methodology employed in ourDigital & Media Asset Management Report, this course will provide you with a thorough grounding in Digital and Media Asset Management technology. It will enable you to identify your own requirements more […]

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Adstream Enables Latin America

Digital Delivery Network Connects Advertising Community Adstream, the global leader in digital asset management and distribution solutions for the advertising industry, today announced expansion in Latin America; allowing digital distribution for broadcasters and cable channel providers in Argentina, Bolivia, Brazil, Chile, Costa Rica, Colombia, Dominican Republic, Ecuador, El Salvador, Guatemala, Honduras, Mexico, Nicaragua, Panama, Paraguay, […]

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From the BBC: Secrets of a top TV editor

From the BBC: Secrets of a top TV editor 3

I recently got an email from filmmaker and journalist Gavin Rees pointing to a video on the BBC website called Secrets of a top TV editor. It’s about BBC World News America’s Bill McKenna who was named ‘Editor of the Year” by the White House News Photographers Association. He was congratulated by President Obama and, […]

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RED+FCP+Color: Making It All Work

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I had previously reported that 2K REDCODE footage (2048×1152), shrunk to 93.75% to fit an HD timeline in FCP, came back from Color as 1920×1080 footage shrunk once again by another 93.75%. I’ve since explored this further and found out what was going on—as well as run into and characterized one of the oft-reported “softening” […]

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