
Following their partnership announcement, last March, Honor and ARRI introduced, last August, the first smartphone with ARRI Image Science, the Honor Robot Phone, which features a 200 MP camera that produces cinematic videos with a “natural color, gentle highlight roll-off, and a sense of depth that feels authentic to how stories are meant to be seen”, according to ARRI VP Dr. Benedikt von Lindeiner.
The HONOR Robot Phone marks the first product milestone under the Cinematic Imaging Partnership between HONOR and ARRI, the world-renowned designer of professional cinema cameras. Moving beyond simple filters, the device adapts selected elements of ARRI Image Science and professional cinema workflow for use in a smartphone.
The rear camera setup of the HONOR Robot Phone is anchored by a Dual 200MP Camera system, featuring a 200MP Agile Gimbal Main Camera with a 1/1.28-inch sensor and f/1.6 aperture, paired with a 200MP Periscope Telephoto Camera with a 1/1.4-inch sensor and 2.7x optical zoom. The 200MP Agile Gimbal Main Camera supports 10-bit ARRI LogC3 recording in ARRI CINEMA mode, while a 50MP Ultra-Wide Camera with a 122° field of view completes the versatile imaging system.
Through the HONOR–ARRI Cinematic Imaging Partnership, the Robot Phone combines ARRI LogC3, ARRI Wide Gamut 3 and ARRI Looks with the HONOR H1 Image Chip. AI noise reduction improves video SNR by 8 dB, while AI dynamic range optimization supports up to 14 stops of dynamic range.
According to the company, “the video pipeline performs noise reduction earlier in the RAW domain, processes data in 14-bit 4:4:4, and outputs 10-bit LogC3 and 4:2:2 video, preserving more usable image information for post-production. ARRI Looks can also be previewed in real time, helping creators achieve a controlled cinematic look more easily.”
For creators, the company adds, “ARRI LogC3 preserves more highlight and shadow information for post-production, while ARRI Wide Gamut 3 provides a broader color space and ARRI Looks offer controlled cinematic color styles. Footage can also be taken into professional editing tools such as DaVinci Resolve, where creators can directly apply ARRI LUTs as part of a complete mobile capture-to-post-production workflow.”
The company claims that “selected elements of ARRI’s renowned image science and professional cinema workflow have been adapted for use in a smartphone, giving creators greater flexibility during production while preserving creative control throughout post-production”.
