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2016 EDDIE AWARDS ANNOUNCED

2016 EDDIE AWARDS ANNOUNCED 1

2016 Eddie Awards were given out last night. Here are the nominees and winners.

2016 Eddie Awards were given out last night. Here are the nominees and winners.

(Winner placed at the top and highlighted)

BEST EDITED FEATURE FILM (DRAMATIC):

Mad Max: Fury Road
Margaret Sixel

The Martian
Pietro Scalia, ACE

The Revenant
Stephen Mirrione, ACE

Sicario
Joe Walker, ACE

Star Wars: The Force Awakens
Maryann Brandon, ACE & Mary Jo Markey, ACE

BEST EDITED FEATURE FILM (COMEDY):

The Big Short
Hank Corwin, ACE

Ant-Man
Dan Lebental, ACE & Colby Parker, Jr., ACE

Joy
Jay Cassidy, ACE, Alan Baumgarten, ACE, Christopher Tellefsen, ACE & Tom Cross, ACE

Me and Earl and the Dying Girl
David Trachtenberg

Trainwreck
William Kerr, ACE & Paul Zucker

BEST EDITED ANIMATED FEATURE FILM:

Inside Out
Kevin Nolting, ACE

Anomalisa
Garret Elkins

The Good Dinosaur
Stephen Schaffer, ACE

BEST EDITED DOCUMENTARY (FEATURE):

Amy
Chris King

Kurt Cobain: Montage of Heck
Joe Beshenkovsky & Brett Morgen

Going Clear: Scientology and the Prison of Belief
Andy Grieve

He Named Me Malala
Greg Finton, ACE, Brian Johnson & Brad Fuller

The Wrecking Crew
Claire Scanlon

BEST EDITED DOCUMENTARY (TELEVISION):

The Jinx: The Life and Deaths of Robert Durst, “A Body in the Bay”
Zac Stuart-Pontier, Richard Hankin, ACE, Caitlyn Greene, Shelby Siegel

Keith Richards: Under the Influence
Joshua L. Pearson

The Seventies: The United States vs. Nixon
Chris A. Peterson, ACE

BEST EDITED HALF-HOUR SERIES FOR TELEVISION:

Inside Amy Schumer: 12 Angry Men
Nick Paley

Silicon Valley: Two Days of the Condor
Brian Merken, ACE

Veep: Election Night
Gary Dollner

BEST EDITED ONE-HOUR SERIES FOR COMMERCIAL TELEVISION:

Mad Men: “Person to Person”
Tom Wilson

Better Call Saul: “Five-O”
Kelley Dixon, ACE

Better Call Saul: “Uno”
Skip Macdonald, ACE

Fargo: “Did You Do This? No, You Did It!”
Skip Macdonald, ACE & Curtis Thurber

The Good Wife: “Restraint”
Scott Vickrey, ACE

BEST EDITED ONE-HOUR SERIES FOR NON-COMMERCIAL TELEVISION:

House of Cards: “Chapter 39”
Lisa Bromwell, ACE

Game of Thrones: “The Dance of Dragons”
Katie Weiland

Game of Thrones: “Hardhome”
Tim Porter

Homeland: “The Tradition of Hospitality”
Harvey Rosenstock, ACE

The Knick: “Wonderful Surprises”
Mary Ann Bernard

BEST EDITED LONGFORM (MINISERIES OR MOTION PICTURE) FOR TELEVISION:

Bessie
Brian A. Kates, ACE

Dolly Parton’s Coat of Many Colors
Maysie Hoy, ACE

Orange is the New Black: “Trust No Bitch” (90 minute episode)
William Turro

BEST EDITED NON-SCRIPTED SERIES:

Anthony Bourdain: Parts Unknown: “Bay Area”
Hunter Gross, ACE

Deadliest Catch: “Zero Hour”
Josh Earl, ACE & Ben Bulatao

Whale Wars: “The Darkest Hour”
Eric Driscoll, Nik Jamgocyan, Chris Kirkpatrick, David Michael Maurer, ACE, Greg MacDonald, Marcus Miller & Alexandria Scott

What are your thoughts? Did the ACE editors make the best choices? Will this be an indication of how the OSCARs will go? Past results say they will.

In an upcoming Art of the Cut interview with “Straight Outta Compton” editor, Billy Fox, I asked how he judges “Best Editing.” Here is his response: “That’s a very interesting question. My personal viewpoint on that is that I look for something that’s different. Most all the submitted work is good. But I look for the technique that’s a bit different. It’s what motivates me but may not be what everyone else looks for.”

Another Art of the Cut interviewee was Tom McArdle, who was recently nominated for an Oscar for Best Editing for “Spotlight.” Tom’s response to this question of “how do you best judge editing” was this: “I like to see a film where I just get immersed in the movie – where I forget that I’m watching a film–where it is completely compelling. A few people have mentioned “Zodiac” to me lately and I remember watching that film and thinking, “My God, this is so well cut. I’m just totally interested, and two and a half hours just flew by.”

Read interviews from other ACE editors including many of the nominees in the interview series Art of the Cut.

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