studio
Working with HitFilm Pro
This webinar will give you an introductory look at HitFilm Pro, and why it’s a tool that editors should consider, when choosing the right compositing application to go along…
Introducing Vegas Pro
Vegas Pro is a comprehensive, all in one post production “must have” NLE companion with everything you need to create high end projects. I have used Vegas Pro for more…
BC-200 & BC-80 studio cameras: Datavideo answers 3 key questions
Datavideo recently started shipping the US$2199 BC-200 (up to 4K UHD) and US$1599 BC-80 (up to 1080p) remote-controlled PTZ cameras it announced back in April…
Profoto Pro-10: the world’s fastest flash
Having a flash able to freeze almost anything, from a water splash to a waterfall, opens new doors in terms of experimentation and makes it possible to think and create…
D2, the world’s fastest monolight with TTL
If your idea of monolights is based on what you known from your first studio, you’ll have to update your knowledge. The Profoto D2 is fast. Really, really fast…
SmallHD goes big again with two more large monitors
While the majority of the filmmaking community was geeking out on SmallHD’s announcement of their brand new HDR monitors at NAB, some were left thinking “I just want a…
Blackmagic Talks To PVC About The New URSA Studio Viewfinder: NAB 2016
At NAB 2016, Blackmagic announced the new URSA Studio Viewfinder, a 7” studio viewfinder with variable tension mounting points, tally, external controls and more turning the Blackmagic URSA Mini 4…
Blackmagic’s Teranex Mini Converters
Getting our grummy hands on Blackmagic’s new Teranex Mini Converter. …
Sony FS5: 4K Hands on Video
The production team at Adorama try out the new Sony FS5 professional camcorder…
Adorama Pro 101: The Basics – Mic vs. Mic
In chapter 3 of Adorama Pro 101: The Basics, we examine the differences from microphone to microphone…
