ProRes Archives - ProVideo Coalition

Final Cut Pro X updated to 10.4.6 to deal with Legacy Media

Scott Simmons March 21, 2019

You may remember in December of last year that Apple let it be known that future versions of Final Cut Pro X would not support “legacy media” that…

Apple clarifies the “legacy media warning” with an update to their Knowledge Base article

Scott Simmons December 11, 2018

The recent brouhaha surrounding the Legacy media codec warning in November’s Final Cut Pro X 10.4.4 release caused a lot of, shall we say … discussion, around the…

Adobe adds ProRes export support on Windows in the latest release

Scott Simmons December 11, 2018

Today may very well be seen as a seminal moment in post-production as Adobe announced ProRes encode and export support on the Windows platform. Check your Creative Cloud app…

Why ProRes RAW?

moviola.com May 22, 2018

Apple announced ProRes RAW back at NAB in April. But why? What does ProRes do for production and post production that hasn’t already been done? We’ll take a…

Blackmagic “Pocket” Cinema Camera 4K vs competition: Canon, JVC, Panasonic and Sony

Allan Tépper April 21, 2018

The recently announced US$1295 Blackmagic “Pocket” Cinema Camera 4K offers unique features in its price category, including: 13 stops of dynamic range, dual native ISO up to 25,600…

Everything you need to know about REDCODE RAW

Jose Antunes February 05, 2018

RED Tech is back, with a new video sharing the possibilities of REDCODE RAW and how, ays RED, the codec becomes more efficient as the resolution increases. The technology REDCODE…

DJI Zenmuse X7: Super 35 camera optimized for aerial cinematography

Jose Antunes October 12, 2017

Interchangeable lenses, a new mount, a new color system and the ability to mimic the way a film camera works are some of the surprises of the new DJI Zenmuse…

5 Things: Post Myths Vol. 2

moviola.com September 19, 2017

Due to the success of the first “Post Myths” episode, Michael is back with special co-host Vince Rocca for “Post Myths Vol. 2”. In this…

AJA’s Ki Pro Ultra Plus now available

Jose Antunes June 28, 2017

Unveiled at NAB 2017, the Ki Pro Ultra Plus, which captures pristine 4K/UltraHD and HD video to standard production codecs, is now available for purchase, with a recommended price…

A Crash Guide for Using RCM in Resolve for VFX

moviola.com June 20, 2017

Do turnovers to and from VFX need to be difficult? It can seem like it at times. Editors benefit from working in ProRes or DNxHD, while Nuke & Fusion Artists…

Video Pro X: color grading, audio tools and video effects

Jose Antunes May 10, 2017

Built-in 16-bit deep colour processing and colour grading, precise tools for audio and a series of special effects are some of the features of the new Video Pro…

Windows ProRes: First Impression

Chris Zwar February 02, 2017

I’ve missed ProRes. I’m used to jumping between Mac and Windows, and I often say that once I’m in Adobe-land I can’t tell the difference…

Blackmagic 4K Video Assist Review

Brian Hallett October 26, 2016

I’ll make this quick. The Blackmagic 4K Video Assist is damn useful for URSA Mini shooters if only for one feature and one feature only, False Color. Yes…

Useful Tools for Editors – Useful Hacks Edition

Scott Simmons October 19, 2016

It’s time for another Useful Tools for Editors. It gets the title Useful Hacks Edition just for all the hard work that has been put into hacking Final…

Canon EOS C700 with Global Shutter

Jose Antunes September 01, 2016

Dual Pixel CMOS AF or Global Shutter, 15 stops dynamic range, recording high bitrate 4K files internally, supporting both XF-AVC and ProRes formats, while simultaneously recording 4K RAW files…

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