Influencing and possibly ending the “film vs. video” argument with LiveGrain
An important element in Alex Buono’s Visual Storytelling 2 Tour was a quick but in-depth color grading session, which...
Exporting H.264 from Davinci Resolve 11
In “Under 5 Minutes” Alexis Van Hurkman from RippleTraining will teach you how to export an h.264 encoded movie...
The Effects Processing Pipeline in Final Cut Pro X
This week on MacBreak Studio, Steve Martin from Ripple Training explains how color correction works now that it is...
Setting the Mood with Adobe Hue CC: Jason Levine
Color and light have a huge impact on the art of filmmaking. They set the mood and tone (no...
Delivering an All-in-One Production/Post Solution to the Chinese Market and Beyond
You don’t have to look too far to realize the power of the Chinese marketplace. Jurassic World just had...
Released Today: The 2015 Adobe Creative Cloud Video Applications
The wait is over. The 2015 versions of the Creative Cloud video apps, previewed at NAB, are available today!...
LUT Tricks for the Sony FS7/F5/F55
Sony’s Cine-EI mode is both a blessing and a curse. Here’s how to work to its strengths and around...
Secondary Color Correction Video Tutorial
Secondary color correction is the process of color correcting a selected portion of a video image instead of color...
DaVinci Resolve Upgraded
DaVinci Resolve is getting a major upgrade in July… the kind that includes 80 new features.
Chromatic aberration: creation and fixes with After Effects
A few years ago there was a spate of interest in chromatic aberration — fixing footage containing the color fringing, but...
