Cine 150mm T 3.0 Macro 1:1 Irix Cine 150mm T 3.0 Macro 1:1 lens: the first in a new line of full frame lenses Written by Jose Antunes August 7, 2019 Irix said it from the very beginning: our intention was to provide the cinematographers with the most advanced and... PVC Favorites 3 weeks ago Frame.io Camera to Cloud sends proxy files from the set right to editorial Post Production LED video walls. Amazing technology, not all the same Production Silicon Power 256GB CFX CFast 2.0 Review Production Reviewing New Laowa OOOM 25-100mm T2.9 Cinema Lens Latest 2 days ago Life.Church defines positive cost-to-benefit lighting opportunities thanks to the ARRI Orbiter LED Light Production Defining Color Correction in Production – From RGB to CRT to HDR Podcasts “At The Ready” DP & Director Maisie Crow // Frame & Reference Ep.5 Post Production I switched from Mac to PC & built a system to run Media Composer
Irix Cine 150mm T 3.0 Macro 1:1 lens: the first in a new line of full frame lenses Written by Jose Antunes August 7, 2019 Irix said it from the very beginning: our intention was to provide the cinematographers with the most advanced and...