Steve Hullfish has been producing and editing award-winning television since the mid-1980s. He has written six books, and edited four theatrical feature films (including two Number One New Movies in the US). He has lectured at NAB, DVExpo and the Master Editor seminars. He has edited on Avid since 1992 and was named to Avid’s first group of Master Editors. His client list includes: Universal Studios, Sony Pictures, NBC, PBS, Turner Networks, The Oprah Winfrey Show, “Investigative Reports” and “Cold Cases” with Bill Kurtis for A&E, Jim Henson Home Entertainment, Major League Soccer, The Chicago Cubs, Wilson Sporting Goods and Exxon/Mobil.

ART OF THE CUT: Cutting The Post simultaneously with Ready Player One

ART OF THE CUT: Cutting The Post simultaneously with Ready Player One

When editors talk about the long-term “marriages” between a director and their editor, the discussion probably centers around three “power couples”: Thelma Schoonmaker and Martin Scorsese, Joel…

ART OF THE CUT: Editing the ACE nominated Molly’s Game

ART OF THE CUT: Editing the ACE nominated Molly’s Game

Aaron Sorkin has long been known for great writing and smart TV drama. On Molly’s Game, he steps into the role of writer/director and collaborated on the project…

ART OF THE CUT: editing Grand Tour and Top Gear with Dan James

ART OF THE CUT: editing Grand Tour and Top Gear with Dan James

One of the most popular shows on the planet was the BBC’s Top Gear. When that show left the BBC, it was essentially picked up by Amazon Prime…

ART OF THE CUT congratulates the 2018 Eddie Nominees

ART OF THE CUT congratulates the 2018 Eddie Nominees

Congratulations to the following feature films and their editors for being nominated for an American Cinema Editors (ACE) Eddie today. (Links to previous interviews are provided below.) Bladerunner 2049, edited…

ART OF THE CUT on editing JUMANJI: Welcome to the Jungle

ART OF THE CUT on editing JUMANJI: Welcome to the Jungle

When you’re discussing editing of a tentpole movie with a lot of VFX, tons of footage and a tight deadline, you can be sure that you’ll…

ART OF THE CUT on editing Mindhunter with Kirk Baxter, ACE and Tyler Nelson

ART OF THE CUT on editing Mindhunter with Kirk Baxter, ACE and Tyler Nelson

Mindhunter is one of those binge-able shows that has people talking. I spent a few days last summer at the Fincher production facility in LA where the show is…

ART OF THE CUT with the assistant editors and VFX editors of Kingsman: The Golden Circle

ART OF THE CUT with the assistant editors and VFX editors of Kingsman: The Golden Circle

Occasionally, Art of the Cut features the assistant editors and others in the post-production team. These are some of the most popular interviews in Art of the Cut history…

ART OF THE CUT with Sidney Wolinsky, ACE on “Shape of Water”

ART OF THE CUT with Sidney Wolinsky, ACE on “Shape of Water”

Art of the Cut last spoke to editor Sidney Wolinsky, ACE, in 2015 about his work on House of Cards and The Sopranos, among other things. We circled back to…

ART OF THE CUT with Lisa Bromwell, ACE on “House of Cards”

ART OF THE CUT with Lisa Bromwell, ACE on “House of Cards”

Lisa Bromwell, ACE has been working in feature film and TV editorial for more than 30 years. She moved into the editor’s chair in 1992 and has edited…

ART OF THE CUT on MURDER ON THE ORIENT EXPRESS

ART OF THE CUT on MURDER ON THE ORIENT EXPRESS

Mick Audsley is the BAFTA-winning editor of such films as Dangerous Liaisons, 12 Monkeys, Harry Potter and the Goblet of Fire, Interview with the Vampire, and The Avengers. It…