RØDECaster Video: finally a video switcher-recorder-streamer that is serious about audio too
I have been using video mixers (SEGs/switchers) and seen their evolution since the eighties. I have reviewed many of...
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Review: FiFine K688 dynamic hybrid studio mic with shockmount and A7WS
The K688 (≈U$73) from FiFine is the first microphone I have ever reviewed whose name indirectly pays homage to...
Review: NTH-100M headset and NTH-Mic head microphone for NTH-100 users
Almost a year ago, I reviewed the RØDE NTH-100 isolating studio headphones. I had a great time explaining the...
Review: RØDE XDM-100 studio dynamic USB microphone with internal DSP and external shockmount
Here is my review of the new U$249 RØDE XDM-100 studio dynamic USB microphone. It’s RØDE’s first dynamic microphone...
Redacted upgrades to Shure A7WS and surpasses 1 million subscribers
I want to congratulate Clayton and Natali Morris of Redacted for upgrading to the Shure A7WS windscreens for their...
Review: Blue Radius III shockmount for microphones
When I recently reviewed the SL40 dynamic studio microphone from FDUCE together with the Shure A7WS windscreen, my primary...
Google Meet beats Zoom in audio quality (48 kHz versus 32 kHz typical in Zoom)
Recently, I have been conducting Meetups for fellow writers who want to edit, publish, transform or widely distribute their...
Plosive prevention: A7WS, A81WS or WS2, not RK345
Sadly, most people I see and hear vía the Shure SM7B, MV7 and MV7x microphones are using the wrong...
Review: RØDE AI-Micro multiplatform dual channel 48 kHz audio interface
After exhaustive tests with five different microphone models, I am now ready to share my review with you of...
RØDE unveils AI-Micro, new multiplatform dual channel 48 kHz audio interface
About a nanosecond after RØDE’s strict embargo ended on Wednesday, November 3rd at 10 AM AEDT (UTC+11 — Australian...
