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DaVinci Resolve 16 adds LUFS audio loudness standards + linear features.

DaVinci Resolve 16 adds LUFS audio loudness standards + linear features.

At NAB 2019, Blackmagic announced many new features to its DaVinci Resolve 16 editing/grading, including LUFS audio loudness standards and also linear video type features. I have published several…

LUFS audio standards update for May 2018

LUFS audio standards update for May 2018

Since I published How many LUFS for ideal audio loudness? Why can’t we be friends? in March, both Adobe and Hindenburg have contacted me to inform how some of…

Hindenburg adds -14 LUFS & Avid Pro Tools interoperability at NAB 2018

Hindenburg adds -14 LUFS & Avid Pro Tools interoperability at NAB 2018

Hindenburg has just informed me officially that at NAB 2018 next week, they’ll be announcing a few new key features to several Hindenburg programs. As I covered in my…

How many LUFS for ideal audio loudness? Why can’t we be friends?

How many LUFS for ideal audio loudness? Why can’t we be friends?

The recent audio loudness war reminds me of the 1975 hit song Why can’t we be friends?. As I have covered in several articles about audio loudness (which we…

How to export –16 LUFS from Hindenburg Journalist without the dangers of insecure FTP

How to export –16 LUFS from Hindenburg Journalist without the dangers of insecure FTP

Recently I published an article covering several new features and benefits in Hindenburg Journalist (PRO), including –16 LUFS normalization in the standard (non PRO) version. However, I was concerned since…

Review: Samson Satellite microphone vs Q2U

Review: Samson Satellite microphone vs Q2U

Here is my review of the ≈US$100 Samson Satellite multi-pattern electret condenser iOS/iPadOS/USB microphone with ≈US$7 Aokeo attachable pop filter. This is also a comparison…

Review: Apogee Hype Mic with inboard analog compressor

Review: Apogee Hype Mic with inboard analog compressor

Here is my review of the US$349 Apogee Hype Mic, the first microphone I have ever tested with an inboard compressor. Some readers will recall that in the past…

Review: RØDE VideoMic NTG hybrid shotgun microphone with extraordinary versatility

Review: RØDE VideoMic NTG hybrid shotgun microphone with extraordinary versatility

Here is my review of the VideoMic NTG from RØDE. The VideoMic NTG is the first hybrid shotgun I’ve ever tested, with several attractive features and technology borrowed…

Review: Saramonic SmartRig+ audio interfaces for USB-C or Lightning

Review: Saramonic SmartRig+ audio interfaces for USB-C or Lightning

Here is my review of the Saramonic SmartRig+ portable audio interfaces, which handle two channels of audio, either XLR balanced or TRS unbalanced. Yes, they offer switchable phantom power for…

Review: Plugable USB-VOX studio microphone

Review: Plugable USB-VOX studio microphone

My evaluation of the ≈US$75 USB-VOX studio microphone from Plugable involved several happy surprises, beyond its high quality sound for voice. Before its arrival, I knew that it…

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