RØDECaster Pro to add multitrack via firmware update
In response to virtual rocks thrown by some content producers who demanded multitrack capabilities, this morning at NAMM (National...
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RØDECaster
RØDECaster Pro: How to broadcast live without any computer
Updated article, January 13, 2019. After my second article about the RØDECaster Pro, a series of tweets initiated by Rob...
RØDECaster Pro-an unappreciated gem for LIVE production
The ideal tools for LIVE production and broadcast are often different from those used for the opposite production process,...
RØDECaster Pro audio console-first look
The Australian microphone manufacturer RØDE has just announced its new RØDECaster Pro audio integrated console for live or live-to-drive...
PSA: Apple Magic Trackpad versions in 2025 (Lightning versus USB-C)
Hopefully, you have read my deep-dive Review: Apple Magic Trackpad 2 outclasses any other pointing device on any OS ...
RØDE Wireless GO (Gen 3) w/inboard 32-bit float recording-compared w/Wireless Micro
Less than a month ago, I published my review of the US$149 Wireless Micro system, including a video with...
Live multicam autoswitch robotic TD (Technical Director) capabilities w/ Aaron Parecki video
At least since I first became involved in live multicam television studio productions in the eighties here in the...
Review: RØDE PodMic USB hybrid dynamic studio microphone with powerful DSP & compelling app support
This is my review of the PodMic USB (US$199) from RØDE, a hybrid dynamic studio microphone with a powerful...
Review: RØDE Interview PRO wireless microphone-recorder
RØDE’s new Interview PRO microphone has sparked a lot of interest and controversy for many reasons. Of course, the...
Mix-minus for recording/broadcast vs for monitoring
Ever since analog audio mixers were first used many decades ago with remote telephone calls at AM radio stations...
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Review: Mofage Talos Damping Magic Arm
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