Almost a year ago, I reviewed the RØDE NTH-100 isolating studio headphones. I had a great time explaining the...

This is not my (pending) review of the new RØDE X mics (announced here, with my commentary), although I...

Most lavalier microphones on the market are condenser or electret condenser. The Shure SM11 we are reviewing now is...

When I recently reviewed the SL40 dynamic studio microphone from FDUCE together with the Shure A7WS windscreen, my primary...

I am privileged to be among the first to be reviewing the new sub US$100 SL40 studio dynamic hybrid...

I didn’t buy the ≈US$350 Zoom F3 2-track recorder because of its 32-bit float recording capabilities with true 1528...

Here is my promised review of the US$99 RØDE VideoMic Go II compact hybrid shotgun microphone, including my own...

In many workflow and review articles, I have discussed the benefits of “latency-free” monitoring when it comes to audio...

Here is my review on the MAONOCaster Lite AU-M200 interface/mixer Premium Bundle, which includes some very powerful 48 kHz...

I have been very vocal about the lack of 48 kHz audio sampling frequency in the Zoom PodTrack P4...