Jeremiah Karpowicz

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Jeremiah Karpowicz moved to Los Angeles to become a screenwriter but quickly realized making a film was about much more than the script. He worked at a post house where films like Watchmen (2009), Gamer (2009), and Green Lantern (2011) came through the door, but settled in as the Executive Editor of ProVideo Coalition, a publication which pulls together content from working professionals across media & entertainment. He’s shot, edited, and posted video content from various trade shows for PVC and writes for the site regularly.

The Top 16 Updates and Announcements from NAB 2016

The Top 16 Updates and Announcements from NAB 2016

Let’s establish one thing right from the start: there were way more than 16 things of note that happened at NAB this year, just like there are every year…

Will VR fundamentally change the way filmmakers approach their craft?

Will VR fundamentally change the way filmmakers approach their craft?

Not too long ago I was asked to participate in an industry survey, and one of the questions was around what technology or trend was going to be especially big…

The fusion of the media & entertainment and IT industries

The fusion of the media & entertainment and IT industries

The way in which media & entertainment professionals approach their production environments has been evolving over the past few years. Many have discovered not only the limitations of the traditional…

Free marker importer from Screenlight for Adobe Premiere Pro optimizes your workflow

Free marker importer from Screenlight for Adobe Premiere Pro optimizes your workflow

Chris Potter is a friend of PVC who has told us how to do everything from sending better video project pitches faster to using UDP-based transfer protocols to speed…

Filming Tyler Fernengel’s BMX Session

Filming Tyler Fernengel’s BMX Session

Alex Horner is a director/DP based out of Minneapolis. He’s most drawn to authentic stories that connect with the audience, and has seven years of experience in…

Simplifying and improving the color matching process for DITs and cinematographers

Simplifying and improving the color matching process for DITs and cinematographers

At IBC this year, Teradek announced that they were looking to solve the countless color-matching problems DIT’s and cinematographers encounter on-set. Cameras from every manufacturer see and…

Drones for video, HDR, VR and more – A Look Back on 2015

Drones for video, HDR, VR and more – A Look Back on 2015

This is the time of year when everyone looks at the calendar and wonders what the heck happened. Casual conversations about “the fastest year ever” are as typical as they…

Creating and encouraging female filmmakers

Creating and encouraging female filmmakers

Episode #6 of the Radio Film School podcast saw the official beginning of their “Women in Film” series with an excerpt from a 4-person panel focused on the topic…

An environment for amateurs and professionals to showcase their workflows

An environment for amateurs and professionals to showcase their workflows

Adorama’s official sponsorship of CBS RADIO New York’s new live performance space is an exciting development for audio professionals at every level. It gives CBS and Adorama the…

Shining a light on the contributions post-production makes in filmmaking

Shining a light on the contributions post-production makes in filmmaking

The Los Angeles Post Production Group (LAPPG) is an organization for those with an interest in digital filmmaking and the post-production process, but the creation of the L.A…