Classic Course: The Glow Effect

Creating two very different looks with this stalwart After Effects plug-in

As we mentioned a few weeks ago, we’re re-publishing some of our older but hopefully still useful courses for free.

There was a time when one of the “hot looks” in After Effects was to make a layer glow. After Effects comes with a Glow effect (it used to be part of a more expensive Professional version of AE; now it’s bundled with AE CC), but it was a bit confusing to use: it defaulted to doing nothing, and it created two quite different looks depending on how you set it up. The two movies below show how to create each of these basic looks, including variations on each:

Glow 1/2: Inner Glow

With this look, every pixel in the image that is brighter than an adjustable Glow Threshold is used to calculate the glow effect. Glow is created by blurring the original, internally compositing it on top of the untouched original, and using a blend mode to add the glow to the original image. You can use the original colors in the image for the blur+mode treatment, or a two-color map in case you wanted to add a color shift. This effect is particularly useful on full-frame footage to give it a tinted or posterized look:

Glow 2/2: Outer Halo

In contrast to the first look, this treatment adds a glowing rim around an object, leaving the core visually untouched by internally compositing the original image back on top of the glowed version. It does this by using only partially transparent pixels in the original image (referred to as the Alpha Channel in the Glow Based On pop-up parameter). Therefore, the layer should be smaller than full frame; text and logos work well.

Semi-transparent pixels are usually found in the anti-aliased edge around a layer. However, this zone can be very thin – often only 1 pixel wide. Therefore, it is useful to feather or blur the edges of the layer in order to give the glow effect more pixels to work with. Again, you can choose to use the layer’s own colors or two colors you choose in the plug-in; the latter is handy to create a glow that contrasts with the original layer.

The native After Effects Glow plug-in is old and a bit slow; there are numerous third-party options available today. However, having this better understanding of how “glow” works and how to achieve different looks may help you when using those third party effects as well.


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Chris and Trish Meyer

Chris & Trish Meyer founded Crish Design (formerly known as CyberMotion) in the very earliest days of the desktop motion graphics industry. Their design and animation work has appeared on shows and promos for CBS, NBC, ABC, Fox, HBO, PBS, and TLC; in opening titles for several movies including Cold Mountain and The Talented Mr. Ripley; at trade shows and press events for corporate clients ranging from Apple to Xerox; and in special venues encompassing IMAX, CircleVision, the NBC AstroVision sign in Times Square, and the four-block-long Fremont Street Experience in Las Vegas. They were among the original users of CoSA (now Adobe) After Effects, and have written the numerous books including “Creating Motion Graphics with After Effects” and “After Effects Apprentice” both published by Focal Press. Both Chris and Trish have backgrounds as musicians, and are currently fascinated with exploring fine art and mixed media in addition to their normal commercial design work. They have recently relocated from Los Angeles to the mountains near Albuquerque and Santa Fe, New Mexico.

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