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Let’s Edit with Media Composer – Quick Title Changes in BCC Title Studio

Let’s Edit with Media Composer – Quick Title Changes in BCC Title Studio

In this Let’s Edit with Media Composer lesson, Kevin P McAuliffe talks about a great “under the hood” feature of BCC’s Title Studio that…

Review: MixPre-3 audio recorder/mixer from Sound Devices

Review: MixPre-3 audio recorder/mixer from Sound Devices

As soon as Sound Devices announced the new MixPre-3 audio recorder/mixer, I requested it for review. Ahead I’ll tell you everything that I discovered to be so…

ART OF THE CUT with Paul Machliss on Baby Driver

ART OF THE CUT with Paul Machliss on Baby Driver

Paul Machliss is a UK-based editor who has been in TV and film post since the late 1990s. Machliss was an obvious choice to edit the musically driven Baby…

CREATING YOUR OWN DCP’S – GETTING STARTED

CREATING YOUR OWN DCP’S – GETTING STARTED

One question that I get asked a lot is, “How do I create my own DCP’s for delivery to a Festival, or to theatres in general?”, and to be…

Introducing Vegas Pro

Introducing Vegas Pro

Vegas Pro is a comprehensive, all in one post production “must have” NLE companion with everything you need to create high end projects. I have used Vegas Pro for more…

The first 30 days (or so) of Media Composer First

The first 30 days (or so) of Media Composer First

Well, we’re running into the first 30 or so days of Media Composer | First, the long awaited (two years) free version of Avid Media Composer, and I thought that…

Valerian: Luc Besson’s hero drives a Lexus

Valerian: Luc Besson’s hero drives a Lexus

Valerian, the film, picks the comic series from 1967 and mixes it with a promise of the future: the Skyjet vehicle designed by Lexus for a world set 700 years…

Let’s Edit with Media Composer | First – Lesson 2 – Managing Your Settings

Let’s Edit with Media Composer | First – Lesson 2 – Managing Your Settings

If you’re ready to take the plunge, and start working in Media Composer | First, we’re here to help get you up and running…

This Art Of The Shot: “13 Reasons Why” Director of Photography Andrij Parekh

This Art Of The Shot: “13 Reasons Why” Director of Photography Andrij Parekh

Andrij Parekh is an NYU’s Tisch School of the Arts (MFA in 2001) trained cinematographer. It was there that he was nominated for the 1998 Eastman Excellence in…

My multitrack crossgating audio workflow to eliminate crosstalk

My multitrack crossgating audio workflow to eliminate crosstalk

Perhaps the most efficient way to resolve the problem of crosstalk in multiple microphone recordings is to use a good mixer with automatic capabilities, like the ones from Audio Technica…

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