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Fix a broken X-Particles cache

Fix a broken X-Particles cache

Fix a broken X-Particles cache Learn how to fix a broken X-Particles Cache when copy and pasting it into another project…

Classic Course: Calculations

Classic Course: Calculations

Continuing our theme of often-overlooked utility plug-ins in Adobe After Effects that can create interesting composites with a minimum of layers and precomps, Calculations is a real Swiss…

Behind-the-lens nets: a lost art makes a comeback

Behind-the-lens nets: a lost art makes a comeback

I’ve always been a little different. That’s the only explanation I have for cutting gels out of Rosco and Lee swatch books and putting them behind…

An interview with moi, now at Production Hub

An interview with moi, now at Production Hub

Not to give away any of PVC’s thunder, but Production Hub interviewed me a few weeks ago and the result is now live. You can see it here…

Chromatic aberration: hard edges, hue shifts, and storytelling

Chromatic aberration: hard edges, hue shifts, and storytelling

Accidents yield interesting truths. This is especially true in lens and camera tests, where it’s hard to know what to test for but there’s always something…

Three lenses: a look at bokeh, depth of field and geometry

Three lenses: a look at bokeh, depth of field and geometry

Some people take time off during the holidays. I borrow a half million dollars worth of camera and lenses and shoot whatever comes to mind. It’s a sickness…

Film lens vs. digital lens: what are the differences?

Film lens vs. digital lens: what are the differences?

I’ve worked with a lot of cameras, and I’ve always come back to ARRI cameras whenever I’ve had the chance. It’s just…

Lens dynamic range: coatings, contrast and color

Lens dynamic range: coatings, contrast and color

There was a time in the distant past when I thought of lenses as transparent glass. Film and digital sensors have dynamic range, but lenses are merely optics. Right? Wrong…

ART OF THE CUT on “Black Panther” with editor Michael Shawver

ART OF THE CUT on “Black Panther” with editor Michael Shawver

Editor Michael Shawver has edited all of director Ryan Coogler’s films, starting with Fruitvale Station and Creed. He’s edited numerous other projects and also worked as…

Lens coverage, sensor size, and pushing the limits

Lens coverage, sensor size, and pushing the limits

Sensors and lenses don’t always get along. In the HDR and UHD world, it’s important to test, test, test. Recently I shot a diffraction test meant…

Signature Primes vs. Ultra Primes: The Pixel-Peeper’s Guide

Signature Primes vs. Ultra Primes: The Pixel-Peeper’s Guide

For nine months I’ve been working periodically as a trainer for the ARRI Academy. Recently we added an Alexa LF to the class, accompanied by a set of…

WDTV, DuMont Network and The 1948 FCC “Freeze”

WDTV, DuMont Network and The 1948 FCC “Freeze”

Television has been with us since July 1, 1941. That is the day commercial television began with the American Federal Communications Commission (FCC) approving the first stations permitted to sell…

Casting the look of a camera into glass

Casting the look of a camera into glass

Recently I had the pleasure of meeting with ARRI’s senior color designer, and I asked him the question I like to ask all camera manufacturers: “Why?&#8221…

Relative Paths and Mixed OS

Relative Paths and Mixed OS

Relative Paths In Mixed OS PC/MAC Mixed OS environments tip…

Large sensor lens coverage: taking old glass to the “breaking” point

Large sensor lens coverage: taking old glass to the “breaking” point

 Old glass and large sensors need a lot of testing. The results may surprise you. In this article I took a look at how older S35 lenses performed on a…