Cinematographer Art Adams shoots spots, visual effects, web/interactive/mobile and high-end marketing projects. His website is at http://www.artadamsdp.com.

Art has been published in HD Video Pro, American Cinematographer, Australian Cinematographer and Camera Operator Magazine He is a current member of the International Cinematographers Guild, a past member of the Society of Camera Operators (SOC), and an industry consultant and educator. He lives in the San Francisco Bay Area.

Split SDI ports, or: how to hack an Arri Mini

Split SDI ports, or: how to hack an Arri Mini

“My assistant says it’s impossible,” said the Steadicam operator over coffee at Arri headquarters in Burbank. “The DIT wants a LogC output, but I need…

Panavision’s new DXL2: Monstro dialed up to “11”

Panavision’s new DXL2: Monstro dialed up to “11”

Panavision’s DXL2 is a unique offering, backed by a unique color pipeline. This is not your average Monstro. When I started out in the film business—at a time…

The large format look, continued: shallow focus and stressing old lenses

The large format look, continued: shallow focus and stressing old lenses

I’ve been getting some play time with RED’s new Weapon camera with a Monstro sensor at Videofax in San Francisco. Jim Rolin, one of Videofax’s owners and…

The “large format” look: Sigma primes on a RED Monstro, in 8K

The “large format” look: Sigma primes on a RED Monstro, in 8K

What’s the big deal about large format cinematography? Shallow focus on wide shots. It’s a big deal. One of my local rental houses, Videofax, recently took…

Meet Me at Arri Burbank on January 19th

Meet Me at Arri Burbank on January 19th

If you’ve got some time to spare on January 19th, and you’re near Burbank, stop by and see me at the Arri Burbank Training Space. My…

Some thoughts on color, brightness, and contrast

Some thoughts on color, brightness, and contrast

I’m not happy with just knowing that colors work together in artistic ways. I want to know why. Here are some thoughts. I’m a strict amateur…

LED, the convenient yet dangerous light source

LED, the convenient yet dangerous light source

I love LEDs. Well, mostly. I have my tricks for dealing with them, and I’m going to pass some of them on to you. Read on… This…

Panavision revives VistaVision for a digital world: part 2

Panavision revives VistaVision for a digital world: part 2

Does large format really create a greater sense of depth and dimensionality in a flat image? Read on to find out… If you haven’t yet read part…

Panavision revives VistaVision for a digital world: part 1

Panavision revives VistaVision for a digital world: part 1

The mid-20th century epic movie experience is returning to a screen near you— at your local cineplex, in your home, and possibly even on your phone. A few years…

Train your eyes to see color, the easy way

Train your eyes to see color, the easy way

Color awareness is a learned skill. All you really need is a car. The human brain is a funny thing. For the longest time I was aware of color in…