ART OF THE CUT with Kelley Dixon, ACE on editing “The Goldfinch”

ART OF THE CUT with Kelley Dixon, ACE on editing "The Goldfinch" 1

Kelley Dixon, ACE began her career in in the early 90s assisting on movies like Reservoir Dogs, Leaving Normal and Good Will Hunting. She moved on to edit TV series like Luck, Shameless, Breaking Bad, The Walking Dead, Halt and Catch Fire and Better Call Saul, plus TV Pilots and TV movies. Kelley recently completed […]

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HTC Vive Cosmos: new Virtual Reality headset arrives in October

HTV Vive Cosmos: new Virtual Reality headset arrives in October

With an inside-out tracking system that helps to make for an easy setup, the Vive Cosmos is HTC’s new headset solution for consumers, entering a market which has more grown since 2016. When the first Vive headset was introduced, the other popular name in the market was Oculus, but things have changed since 2016, so […]

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10 years of Panasonic’s PTZ cameras: from Big Brother to Virtual Reality

10 years of Panasonic’s PTZ cameras: from Big Brother to Virtual Reality

Panasonic shows at IBC 2019 the latest innovations in virtual and augmented reality, as a result of its collaboration with other companies. PTZ cameras as the UE150, play a key role in the demonstration. Panasonic has been working with two of the leading players in virtual studio and augmented reality to ensure their systems work […]

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After Effects Classic Course: Set Matte versus Track Matte

After Effects Classic Course: Set Matte versus Track Matte 33

One of the most useful compositing features in After Effects is the ability to use the properties of one layer to create transparency (an alpha channel) for a second layer. To do this, many use the Track Matte feature that’s available in the Timeline. However, there is also an effect plug-in – Set Matte – which […]

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New Zylight F8-200 // Tool Talk

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The new bi-color Zylight F8 200w LED Fresnel is a very thin, single-chip fixture with a CRI of up to 97 and the output of a traditional 400W HMI. It also has an IP54 resistance rating, meaning that it’s built to withstand splashes from any direction and can handle a light dusting. The light […]

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IBC 2019: Panasonic shows LUMIX S1H prototype with 5.9K/29.97p RAW output

IBC 2019: Panasonic LUMIX S1H prototype with 5.9K/29.97p RAW output

Panasonic showed at IBC 2019 a prototype of the LUMIX S1H able to output of maximum 5.9K/29.97p RAW video data to the Atomos Ninja V 4K HDR monitor-recorder over HDMI. Panasonic and Atomos announced during IBC 2019 the development of a firmware program for the LUMIX S1H full-frame mirrorless camera which enables the output of […]

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