Anamorphic. The look. The “texture.” There are times when you cannot replicate what an anamorphic lens can deliver. The more clinically sharp digital cameras become the more cinematographers will mess with the image to deliver something unique and dripping with character. This is where the P+S Technik Technovision Classic 1.5X Anamorphic lenses thrive, delivering huge […]
Read More… from Cine Gear: P+S Technik Technovision Classic 1.5X Anamorphic Lenses
It was not all about the gear at the Zeiss booth on the Paramount lot during Cine Gear 2019. Not only did Zeiss show off their new large format Supreme Prime lens line-up they also took the time to put on some helpful workshops to help educate attendees. The Zeiss Supreme Prime lenses are designed […]
Read More… from Cine Gear: Zeiss Shows Off Supreme Prime Lenses and Talks Workshops
The biggest ever updates to Affinity Photo and Affinity Designer bring power and extensive new features. The Mac versions are up to 10x faster, while Windows users will have to wait a bit more. GPU compute acceleration, HDR monitor support and a new memory management system ensure the Affinity suite continues to be at the […]
Read More… from New Affinity Photo and Affinity Designer: up to 10 times faster than ever on Mac
Panasonic rolled out the full-frame Lumix S1H at Cine Gear Expo with a presentation, a demo film, and a pre-production prototype under glass. Jose Antunes has already written about it and linked to the demo film, so I’ll just show the preso slides (shot offscreen) and some pictures of the prototype. Alicia Robbins shot the […]
