Chromatic aberration: hard edges, hue shifts, and storytelling

Chromatic aberration: hard edges, hue shifts, and storytelling 1

Accidents yield interesting truths. This is especially true in lens and camera tests, where it’s hard to know what to test for but there’s always something interesting to find if you look close enough. (And it’s nice when these accidents happen off the set instead of during production.) Recently, while shooting some lens tests at […]

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Sony VENICE gets High Frame Rate shooting up to 4K 120fps

Sony VENICE gets High Frame Rate up to 4K 120fps

Sony’s VENICE new upgrade introduces High Frame Rate (HFR) shooting, up to 120fps at 4K 2.39:1, and 60fps at 6K 3:2, and other functionalities. The new firmware version 4.0 now announced introduces new Optional HFR License speeds up to 120fps at 4K 2.39:1, and 60fps at 6K 3:2, advanced remote-control Functionalities, and Cooke/i3 and Zeiss […]

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Edit Blackmagic RAW Native In Adobe Premiere With Autokroma

BRAW

Chalk this up to those who feel compelled to stay within the Adobe Premiere system. Some post workflows are entirely Adobe. If you are one of these editors then you might want to check out Autokroma. Autokroma has just released the plugin BRAW Studio allowing Blackmagic Design’s new RAW format .BRAW to be used within Adobe Premiere. […]

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What’s missing from the new full-frame Panasonic Lumix cameras?

What’s missing from the new full-frame Panasonic Lumix cameras? 3

Many videographers are excited about the new full-frame Panasonic Lumix DC-S1 and DC-S1R cameras, without noticing a few key features that are unfortunately missing in them, but are fortunately present in the GH5, GH5s and DMC-FZ2500. If you are considering either of the new full-frame models, you must check out important missing functions, so you […]

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Art of the Cut’s “Voices from Sundance” podcast, Ep. 6

Art of the Cut's "Voices from Sundance" podcast, Ep. 6 8

In this episode of Art of the Cut’s “Voices from Sundance” podcast series,  we’re talking with Japanese editor Maho Inamoto about editing the feature film “We Are Little Zombies.” The film follows four junior high aged Japanese kids from shortly after each of their parents have died. They meet and realize that they feel nothing. […]

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New Universe 3.0 features a dockable control board for Premiere and AE

New Universe 3.0 features a dockable control board for Premiere and After Effects

The new dockable control board for Premiere and AE is a key element of Red Giant’s Universe 3.0, making it simple to explore and apply Universe’s entire library of effects and presets. Universe 3.0 represents a major update to Red Giant’s its video effects and transitions plugins for motion graphics artists and editors. With this […]

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