Whether it’s Quentin Tarantino shooting “Hateful Eight” in 65mm, the Panavision Millenium DXL, RED’s VV sensors, the Arri Alexa 65, or the new Sony Venice, large format cinematography is being touted as the Next Big Thing (pun intended). Large format—from full-frame 36 x 24mm to RED/DXL’s 40.96 x 21.60mm, Arri’s 54.12 x 25.58 mm, and beyond—is […]
Bigger is better? OK, but why?
