Elisabet Ronaldsdottir was born and raised in Reykjavik, Iceland and has been editing film at home and across Europe and America since the days of editing on celluloid. Her films include Contraband, The Deep, John Wick, and her latest work with director David Leitch on the film Atomic Blonde. She has won several Edda Awards for Best Editing […]
Read More… from ART OF THE CUT with Atomic Blonde editor Elisabet Ronaldsdottir
The move to 64-bit allows cineSync to take full advantage of all available system memory, a starting point for a whole lot of new features users have wanted for a long time. Cospective, creator of innovative software solutions for visual communication, has released the latest update to the Academy Award-winning cineSync video review software. The […]
I’ve been able to sit down and play around with MAGIX VEGAS Pro a bit over the last few months and there’s one stand-out feature that I have dreamed about in my usual NLEs for a number of years now. It’s skimming/hover-scrubbing in the Source/preview monitor. I don’t know exactly what VEGAS calls this action […]
Read More… from The one feature from VEGAS Pro I want in my other NLEs
With hundreds of careers and opportunities, the filmmaking industry can be a unique experience for a filmmaker. Filmtools decided to take a deeper look into the world of a Filmmaker. This week, we had the opportunity to speak to Filmmaker Jacob Steagall about his work. This is what he said: What’s your name and where […]
Read More… from Filmmaker Friday Featuring Filmmaker Jacob Steagall
