Daily Archives: February 2, 2017

ART OF THE SHOT: The DP of “The Fosters” Kees Van Oostrum, ASC

ART OF THE SHOT: The DP of “The Fosters” Kees Van Oostrum, ASC

He is the current President of the American Society of Cinematographers and at times he shoots on the Blackmagic URSA Mini 4.6K for  Freeform/ABC “The Fosters.&#8221…

ART OF THE CUT with Oscar Nominated “Moonlight” editor Joi McMillon

ART OF THE CUT with Oscar Nominated “Moonlight” editor Joi McMillon

Today Art of the Cut speaks with Joi McMillon who was recently nominated for an Oscar for Best Editing for the film Moonlight which she co-edited with Nat Sanders…

Steadicam returns with Volt

Steadicam returns with Volt

Steadicam, creators of the Academy Award Winning Steadicam Stabilizing technology, are back with a Steadicam to put in the palm of your hand. Yes, Steadicam is back, offering filmmakers the…

Major motion picture shot with Sony A7S II

Major motion picture shot with Sony A7S II

Screen Gems’ horror-thriller Cadaver is the first major motion picture shot entirely on Sony A7S II camera, but is also the first to use sustainable technology for set construction…

New controller for Sony’s PTZ cameras

New controller for Sony’s PTZ cameras

Available late Spring 2017, the Sony RM-IP500 enables cost-effective system configuration and easier operation of PTZ cameras for lecture capture and event production. The RM-IP500 controller is…

Windows ProRes: First Impression

Windows ProRes: First Impression

I’ve missed ProRes. I’m used to jumping between Mac and Windows, and I often say that once I’m in Adobe-land I can’t tell the difference…

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