I first met Paula Heredia when she was the featured speaker on documentary film editing at a Master Editor’s Retreat in 1996. Even then her resume was impressive. Arguably her most famous editing work was on the documentary, “Unzipped.” But she has edited dozens and dozens of films, especially for HBO and Discovery Channel. Some […]
In this lesson, Kevin P McAuliffe starts the first of a multi-part lesson on creating Motion Effects inside of Media Composer, and starts out by creating them the easiest, but not necessarily the most obvious way, and that is via the Motion Effect command. This command, accessible only when the preview monitor or clip is […]
Read More… from Let’s Edit with Media Composer – ADVANCED – Motion Effects Part 1
Are you a colorist who wants to have an impressive looking color grading panel but you can’t afford the cost of a full $30,000 Davinci Resolve Advanced control surface? Do you have a set of Tangent Element panels that you’d like to give a cozy home? Then the Rageboard might be just for you. If you remember […]
I train professional editors all over the world and one of the fundamentals that I push is to do as much editing with the keyboard as possible. This helps with speed and with keeping your mind on the footage instead of the mouse-clicks. With your hands on the keyboard, muscle memory takes over and you […]
In what was essentially a combination of Scott Simmons’ #28daysofquicktips and my own AMA, I answered questions throughout the month of September last year on a daily basis. The PVC team wanted to rerun this series for our readers along with some new questions and answers, so stay tuned for a few entries at the […]
Read More… from 28 Days of Cinematography Insights Redux – Day 20 – Changes and alterations in post
