I shot V-Log L on the GH4 and graded it back to match Cinelike D, comparing internal and external recording. Yes, external ProRes recording helps; yes, 10-bit recording makes a difference. But that doesn’t mean that internally recorded V-Log L is unusable. […]
While we’ve all grown used to pop-up flashes, not many are aware of pop-up viewfinders. It’s a trend Sony has been partially responsible for in recent years, with a new step in the new 42,4 MP compact camera just launched: the RX1R II. The Sony Cyber-shot RX1R II will stay in history as the first […]
Read More… from Sony RX1R II: in pursuit of the ideal viewfinder
A few weeks after adding 4K UHD to iMovie for iOS 9 (and Adobe’s adding it to its Premiere Elements 14, link ahead), Apple has now added 4K Ultra HD project capabilities to the free and just updated iMovie 10.1 for Mac. Apple added a few other features to this version, including ±60 fps sharing. […]
Read More… from iMovie adds 4K UHD & the often hazardous ±60 fps distribution
In this lesson, Kevin P McAuliffe talks about Multi-channel audio exports from Media Composer, and how DNxHD doesn’t always need to be your export codec of choice! […]
Read More… from Media Composer 101 – Advanced – Multi-Channel Audio Exports
