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Daily Archives: October 6, 2015

After Effects Hidden Gems Weekly: Pixel Motion Blur

After Effects Hidden Gems Weekly: Pixel Motion Blur

When you shoot a fast-moving object with a longer shutter time (half of the frame’s duration is the typical “filmic” setting), you will get natural motion blur. However…

Performing swap edits in DaVinci Resolve 12

Performing swap edits in DaVinci Resolve 12

On this week’s Under 5 from Ripple Training, Alexis Van Hurkman shows us how to perform swap edits in the newly release Resolve 12. Check out all the…

Capturing the aftermath of Nepal’s earthquake

Capturing the aftermath of Nepal’s earthquake

I got my start at Al Jazeera English/America. I remember my first digital photo camera – it was a Sony Alpha. Though I started my career as a photojournalist, I…

Screen replacement in Final Cut Pro X with TrackX

Screen replacement in Final Cut Pro X with TrackX

This week on MacBreak Studio, Steve Martin from Ripple Training shows us how he used CoreMelt’s TrackX plugin for Final Cut Pro X to track a video clip…

Slamdance’s Film Festival: final deadline

Slamdance’s Film Festival: final deadline

The Slamdance Film Festival accepts films in every genre or any topic from every country around the world. There is an entry fee, but that has not stopped the number…

Typhoon G multicopter: made for GoPro

Typhoon G multicopter: made for GoPro

The newest member of the Typhoon family is designed to provide smooth and stable aerial footage for the GoPro camera in a package that delivers Yuneec’s standard of being…

Audio post workflow for the feature film, “War Room”

Audio post workflow for the feature film, “War Room”

This is the third and final article in the post production process for the theatrical feature film War Room which I co-edited with director, Alex Kendrick. &nbsp…

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