It’s a calibrated 709 field monitor! No, a 10-bit 4:2:2 recorder! It’s Ninja Blade or Samurai Blade!

It’s a calibrated 709 field monitor! No, a 10-bit 4:2:2 recorder! It's Ninja Blade or Samurai Blade! 1

It isn’t easy to decide whether to call Átomos’s Samurai Blade or new Ninja Blade (just released this morning at BVE in London, England, UK) a calibrated 709 monitor which happens to have a built-in 10-bit 4:2:2 recorder, or to call it a 10-bit 4:2:2 recorder which happens to have a built-in calibrated 709 monitor. […]

Read More… from It’s a calibrated 709 field monitor! No, a 10-bit 4:2:2 recorder! It’s Ninja Blade or Samurai Blade!

Audition Tips in Final Cut Pro X

Audition Tips in Final Cut Pro X 8

How do you use Auditions in Final Cut Pro X? This week on MacBreak Studio, Steve Martin from Ripple Training shows us some novel and practical ways to use auditions that you may not have considered. Auditions are kind of like single “multiclips” that obviate the need to stack clips on top of each other […]

Read More… from Audition Tips in Final Cut Pro X

Adorama Becomes the First, Exclusive Reseller of SmallHD Video Gear

Adorama Becomes the First, Exclusive Reseller of SmallHD Video Gear 9

Adorama, one of the world’s largest photography, video, imaging and electronics retailers, today announced it will be the first reseller of SmallHD production equipment. SmallHD is best known for its affordable and professional high-definition monitor solutions. Most recently, the manufacturer released its new DP-7 Pro line of on-camera monitors, which includes three different models with […]

Read More… from Adorama Becomes the First, Exclusive Reseller of SmallHD Video Gear

Videoguys’ Recommends that Now is the time for Final Cut Editors to Get Started with Avid Media Comp

Videoguys' Recommends that Now is the time for Final Cut Editors to Get Started with Avid Media Comp 11

Are you still editing on FCP7? Are you still wasting hours upon hours logging & transferring or MPEG Stream clipping your file based HD footage into HD before you can even start editing? Still making due with clunky work-arounds that allow you to struggle through your projects, without any of the benefits of today's more […]

Read More… from Videoguys’ Recommends that Now is the time for Final Cut Editors to Get Started with Avid Media Comp

proDAD® Unveils Heroglyph V4 LE – Budget-Friendly Video Titler/Trailer Animation Plug-in Solution

proDAD® Unveils Heroglyph V4 LE – Budget-Friendly Video Titler/Trailer Animation Plug-in Solution 13

proDAD, the highly acclaimed developer of digital video effects and image enhancement technologies today announced availability of it’s new Heroglyph V4 LE video title, trailer animation solution for popular Windows-based Non-Linear Editing (NLE) applications, and also includes a stand-alone version.  Video titling animation apps are often complicated; requiring use of key-frames and other time-consuming manual […]

Read More… from proDAD® Unveils Heroglyph V4 LE – Budget-Friendly Video Titler/Trailer Animation Plug-in Solution

Optimizing performance in Premiere & After Effects

pr_cc_appicon.png

Adobe offered a free webinar, Optimizing your system for peak performance with After Effects & Adobe Premiere Pro, on February 27, 2014. Presented by Todd Kopriva (After Effects QA) and Steve Hoeg (Premiere Pro engineering manager), the session covers how CPU, graphics cards, and RAM affect performance, as well as platform-specific considerations, including the new […]

Read More… from Optimizing performance in Premiere & After Effects