Today on the Slanted Lens we are going to break down a fantasy portrait we did of Nadia Dawn in her Day of the Dead make-up. We will look at the crew that was needed and the camera settings, use of smoke machines as well as the location. Then we will move on to the […]
Day: January 21, 2014
Oscar-Winning Editor William Goldenberg to Keynote the Upcoming Editor’s Retreat in Savannah
Future Media Concepts, (FMC) the nation’s leading digital media training provider, announced today that William Goldenberg, Oscar-winning editor for Argo, producers of Zero Dark Thirty, The Sorcerer’s Apprentice, Miami Vice, Seabiscuit, and other well-known films, will be speaking at the upcoming Editor’s Retreat. Now in its seventh year, the Editor’s Retreat offers experienced post-production professionals […]
John Wells to be Honored by American Society of Cinematographers
Award-winning writer-director-producer John Wells will receive the American Society of Cinematographers (ASC) 2014 Board of Governors Award. Wells will be honored during the 28th Annual ASC Outstanding Achievement Awards gala here on February 1 at the Hollywood & Highland Ray Dolby Ballroom. “John Wells is an extraordinary talent whose long career has exposed the world […]
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Canto Releases Latest Version of Cumulus 9, Will Showcase in January 29th Webinar
Canto, a leading provider of digital asset management software and professional services, today announced the general availability of Cumulus 9.0.2. Cumulus 9.0.2 represents the second incremental release since version 9 debuted in late October 2013 – marking a shift from historically lengthy development cycles to more frequent software releases. Cumulus 9.0.2 extends Canto’s vision of […]
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Moving Media in Final Cut Pro 10.1
What happens when you move a clip from one event to another? In this week's episode of MacBreak Studio, Steve Martin from Ripple Training demonstrates exactly what happens and why. The new unified library model in Final Cut Pro 10.1 really simplifies media management by taking care of tracking the location of clips “under the […]
Diffusion Filters For The Blackmagic Cinema Camera
The Blackmagic Cinema Camera can put out some sharp footage. 2.5K to 1080. Raw to ProRes… Even DNxHD. It all can have that “I can see all the way down to the pores” look to the footage. This is great for many different situations, but trying to make your on-air talent look fantastic… not so […]
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