Adobe research scientist Wil Li has a demo of an experimental technology for creating seamless edits in interview footage that could make working with jump cuts easier. Hopefully, this technology with Content Aware seam-carving goodness will be integrated into Premiere. Some of this seems to have been developed a little further and later presented as […]
ARRI announces a major new recording feature for its ALEXA camera range, offering in-camera support for Avid®’s open standard and widely adopted Avid DNxHD® codec. The ability to record native Avid DNxHD, as MXF files in-camera, creates a unique proposition for the 35 mm digital capture industry and is another first for the ALEXA camera […]
Read More… from ARRI Alexa In-Camera Recording Using Avid’s DnxHD MXF File Format
When working in a non-linear editing application the editor spends many, many hours working in the timeline. Boy do we spend a lot of hours working in the timeline. If you’re moving from Final Cut Pro 7 to Adobe Premiere Pro 5.5 then you won’t be totally lost as there are a lot of similarities […]
Read More… from The Adobe Premiere Pro timeline for Final Cut Pro users
Photographers both make money and save money by paying someone else to do a significant part of their image retouching and enhancement needs. Second in a series of conversations with Neale Narang of ReadyRetouch.com. Neale:You do the math. However you add up the hours in your business week, photographers need to be doing more of […]
Read More… from The Economic Advantage of Outsourcing Photo Retouch Services
