It’s no secret that technology has changed the way media & entertainment professionals operate across the board. Whether it’s big picture concepts like the walls between production and post coming down, or specific evolutions like the transition from SD to HD and now 4K, you don’t have to look long or hard to see the kind of impact technology has had on the industry.
Exploring Workflow, Storage & Archive in M&E - Collaborating, Sharing and Presenting Media … Smarter
More than a few experts labeled 2014 as the “year of the breach”, and a list of all the companies that experienced security issues last year would be an entire article itself. Massive organizations are the ones that get the headlines when they experience a security issue, but companies that are infinitely smaller are just as vulnerable to breaches, if not moreso.
With the relaunch of ProVideo Coalition this year, we rolled DAM Coalition into a channel on PVC that focuses on workflow, storage and archive in media and entertainment. It was an opportunity to create relevant content for regular readers of PVC while also highlighting some of the more technically minded professionals from different areas of media & entertainment for the benefit of our current and expanded audience.
As I’ve been exploring what it means to effectively utilize workflow, storage and archive in our industry, I’ve seen these concepts go far deeper than I initially imagined. A workflow for a small post house might be very similar to what a workflow for a major studio looks like in principle, but in practice those workflows come together and function in a very different way. Similarly, having a storage capacity of 30TB might be more than some content creators need, while others are getting into exabyte levels and finding that’s still not enough.
28 Days of Cinematography Insights
Day 6 - 28 Days of Cinematography Insights - When your director wants something you can’t quite pull off
Day 9 - 28 Days of Cinematography Insights - Directors and ADs who haven’t worked their way up the ranks
A Closer Look at the Lumetri Color PanelThis past spring we brought powerful new color workflows
We are pleased to announce the key features in the next release of Adobe’s pro video & audio tools.
Motion Tracking, After Effects, and CINEMA 4D LiteAfter Effects features a 3D Camera Tracker that examines already-shot footage and attempts to reverse-engineer where the camera was during the shot, creating a 3D camera to match. This allows you to add new objects in 3D space that match the movement and perspective of the underlying footage....
The workflow to add 3D objects into your already-shot footage.
Welcome to Free Function Friday, a new series that dives further into the Adobe After Effects scripting language, ExtendScript. Each Friday morning, I will be releasing a new video tutorial explaining a different custom function that I've built and used in my own...
Pier Sunshine in Santa Monica from
Lumapad: LED professional lights at crowdfunding pricesThe brightest, highest quality, lowest cost production LED lights available, Lumapad offers up to 10,000 lumens, and up to 95+ CRI, on professional LED studio light that won’t break the bank. Our last Kickstarter campaign, says Richard...
The Lumapad Project returns to Kickstarter, with the Lumapad version 2, the newest LED technology, and the promise of the highest quality for the lowest price lighting system available anywhere.
Track objects in Adobe After Effects automatically, intuitively, precisely and quickly with fayINfayteq showcased their product at IBC 2015 IBC featured no shortage of new products and updates, and the promises made about the impact such things will be able to have are as loud as they are pervasive. No doubt, some of them could positively impact the way professionals work, while...
Accelerating the process of integrating content in video footage