First look: Saramonic SR-HM7 dynamic cardioid ENG/interview microphone
As I have explained in past reviews of ENG (electronic news gathering, aka for interviews and standups) microphones, most...
After Effects & Performance. Part 18: Multi-Frame Rendering is here
The most fitting end possible for this series on “After Effects and Performance” is an interview with Sean Jenkin,...
After Effects & Performance. Part 17: Interview with Sean Jenkin from Adobe
There’s good news, and there’s bad news. Actually, it’s better than that. For all After Effects users out there,...
The Filmtools Podcast Eps. 8 (w/ High Speed Cinematographer Peter Cote)
Each week The Filmtools Podcast talks with industry professionals in a candid conversation about their career, relevant news within...
NAB 2019: Michael Bergeron on the Move to IP
At NAB I talked with Michael Bergeron, Product Manager of Studio Camera Systems at Panasonic, about the move to...
Review: Cleanfeed for remote HQ audio interview recordings: part 1
Cleanfeed is an online service that uses the Opus audio códec and the Chrome browser to allow for ISDN...
ART OF THE CUT with Jake Roberts, ACE on “Hitman’s Bodyguard”
Jake Roberts, ACE was recently nominated for an Oscar and an EDDIE for his editing on Hell or High...
Filmmaker Friday featuring filmmaker Nikola Kitanovski
With hundreds of careers and opportunities, the filmmaking industry can be a unique experience for a filmmaker. Filmtools decided...
Filmmaker Friday featuring YouTube Superstar Devin Graham
With hundreds of careers and opportunities, the filmmaking industry can be a unique experience for a filmmaker. Options include...
A Conversation with Michael Frediani, SOC
Filmtools recently sat down with Michael Frediani, SOC to discuss his nearly 30 year long career as a camera operator....
