Review: Asus PA279CRV 4K HDR ProArt Display for video editing/grading «etalonaje»
Here is my review of the Asus PA279CRV 4K HDR 27” monitor (U$469) for video editing/grading «etalonaje». Asus graciously...
In Depth – Nobe Omniscope
One issue that colorists, editors and motion graphic designers have had for a long time, is finding reliable software...
Let’s Edit with Media Composer – Lesson 1 – Before You Edit
Well, we’re back! That’s right, the Let’s Edit with Media Composer tutorial series is back after a hiatus, and...
Final Cut Pro for iPad vs. Mac: What’s the Difference?
Announced two weeks ago, Final Cut Pro for iPad is available today for anyone with an M1 or M2...
Text-Based Editing Comes to Adobe Premiere Pro
Have you ever wanted to edit a rough cut just by copying and pasting text from an interview? Have...
Hindenburg announces 2.0 with transcription and more
I first wrote about the Hindenburg family of audio editors in 2015. In the past 8 years, I have...
AI and Video Editors: Threat or Opportunity?
Artificial intelligence (AI) is a rapidly growing field that has the potential to revolutionize many industries, including the field...
Color Grading in Final Cut Pro with the Monogram Creative Console
I’ve avoided control surfaces for years. I’m not sure why: part of it has to do with the fact...
Why is everyone angry with Nvidia after the RTX 4000 series announcement?
With the announcement this week from Nvidia of it’s new GeForce RTX 4000 “Ada Lovelace” series of cards it’s...
Better Dialogue Edits with L & J Cuts in Final Cut Pro
This week on MacBreak Studio, Steve shows us how to use L & J cuts to tighten up and...