Lens coverage, sensor size, and pushing the limits
Sensors and lenses don’t always get along. In the HDR and UHD world, it’s important to test, test, test....
Signature Primes vs. Ultra Primes: The Pixel-Peeper’s Guide
For nine months I’ve been working periodically as a trainer for the ARRI Academy. Recently we added an Alexa...
Panasonic EVA1 Tasked To Lens Nature Documentary
Shooting with Panasonic AU-EVA1 5.7K cinema cameras, Director of Photography Joe Callahan has completed principal photography on a feature-length...
Shooting @3200 ISO On The URSA Mini Pro
Before camera firmware 6.0, and the ISO cap on the URSA Mini Pro, I might have veered away from...
Blackmagic Design URSA Mini Pro Gets 3200 ISO With Firmware 6.0 Update
After a little time in Beta with Blackmagic RAW, Blackmagic Design surprised URSA Mini Pro shooters. Today Blackmagic Design...
The Oath Shot with URSA Mini Pro and Edited with DaVinci Resolve Studio
The film “The Oath” was shot with several URSA Mini Pro digital film cameras and edited and graded with...
Blackmagic Design Pocket Cinema Camera 4K Review
Is the Blackmagic Design Pocket Cinema Camera 4K their best camera to date? I hope we will find this out...
Casting the look of a camera into glass
Recently I had the pleasure of meeting with ARRI’s senior color designer, and I asked him the question I...
Recommended Media For The Pocket Cinema Camera 4K
Since Blackmagic Design’s brand new Pocket Cinema Camera 4K is ending up into some people’s hands it’s time to...
Large sensor lens coverage: taking old glass to the “breaking” point
Old glass and large sensors need a lot of testing. The results may surprise you. In this article I...