Steve Hullfish

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Steve Hullfish has been producing and editing award-winning television since the mid-1980s. He has written five books, and edited two theatrical feature films (both Number One New Movies in the US). He has lectured at NAB, DVExpo and the Master Editor seminars. He has edited on Avid since 1992 and was named to Avid’s first group of Master Editors. His client list includes: Universal Studios, Sony Pictures, NBC, PBS, Turner Networks, The Oprah Winfrey Show, “Investigative Reports” and “Cold Cases” with Bill Kurtis for A&E, Jim Henson Home Entertainment, Major League Soccer, The Chicago Cubs, Wilson Sporting Goods and Exxon/Mobil.

ART OF THE CUT with John Gilbert on editing Hacksaw Ridge

ART OF THE CUT with John Gilbert on editing Hacksaw Ridge

John Gilbert, ACE has an impressive filmography which includes, Lord of the Rings: The Fellowship of the Ring, Bridge to Terabithia, Chasing Mavericks, The November Man, and the recently released…

ART OF THE CUT with David Helfand, ACE on cutting comedy

ART OF THE CUT with David Helfand, ACE on cutting comedy

David Helfand, ACE, has been nominated for several Primetime Emmys for editing on “Weeds” and “That 70s Show. He has also edited TV series: “Dream On,” “Friends,” “The Middle,” “Love…

ART OF THE CUT on “Birth of a Nation”

ART OF THE CUT on “Birth of a Nation”

Steven Rosenblum, ACE has edited more than two dozen movies including “Glory” (1989), “Braveheart” (1995), “X-Men” (2000), “Pearl Harbor” (2001), “Last Samurai” (2003), “Blood Diamond” (2006), and the film…

ART OF THE CUT with Michael McCusker, ACE, editor of “Girl on the Train”

ART OF THE CUT with Michael McCusker, ACE, editor of “Girl on the Train”

Michael McCusker’s first feature film in the editor’s chair resulted in an Oscar nomination for Best Achievement in Film Editing: “Walk the Line” (2005). “Walk the Line” won…

ART OF THE CUT with Chris Lebenzon, ACE on editing “Miss Peregrine’s”

ART OF THE CUT with Chris Lebenzon, ACE on editing “Miss Peregrine’s”

Chris Lebenzon, ACE has such an extensive filmography of huge movies, it’s hard to know which ones to include in a short introductory paragraph. You’re probably better off…

ART OF THE CUT with John Refoua, ACE on “Magnificent Seven”

ART OF THE CUT with John Refoua, ACE on “Magnificent Seven”

John Refoua has nearly 30 editing credits going back to the early 1990s, starting with TV including “Law and Order,” “Ally McBeal,” “CSI:Miami,” and even “Reno:911.” His feature…

ART OF THE CUT with Paul Crowder of “Eight Days a Week” doc

ART OF THE CUT with Paul Crowder of “Eight Days a Week” doc

Paul Crowder is a London-born, L.A.-based editor who just cut Ron Howard’s fantastic tribute to the Fab Four: “The Beatles: Eight Days a Week – The Touring…

ART OF THE CUT with David Wu, ACE

ART OF THE CUT with David Wu, ACE

David Wu, ACE is a Hong Kong-born editor with more than 70 films to his credit. He has mostly edited for a handful of elite directors – including John Woo…

ART OF THE CUT with Job ter Burg, ACE, NCE

ART OF THE CUT with Job ter Burg, ACE, NCE

Job ter Burg, is a member of both ACE (American Cinema Editors) and NCE (Netherlands association of Cinema Editors) and has nearly 80 editing credits. His last film, with acclaimed…

ART OF THE CUT with Paula Heredia

ART OF THE CUT with Paula Heredia

I first met Paula Heredia when she was the featured speaker on documentary film editing at a Master Editor’s Retreat in 1996. Even then her resume was impressive…