Adam Wilt

Adam Wilt

Written 298 posts and 0 comments

Adam Wilt has been working off and on in film and video for the past thirty years, while paying the bills writing software for animation, automation, broadcast graphics, and real-time control for companies including Abekas, Pinnacle, Omneon, CBS, and ABC. Since 1997 his website, adamwilt.com, has been a popular reference for information on the DV formats. He reviewed cameras for DV Magazine and started its “Technical Difficulties” column, and taught classes and led panels at NAB, IBC, and DV Expo. He co-authored the book, “Optimizing Your Final Cut Pro System”, part of the Apple Pro Training series. He currently writes for ProVideoCoalition.com and DVInfo.net, and creates iPhone apps like Cine Meter II and Wi-Fi WFM.

Review: Loctek FlexiSpot Sit/Stand Workstation

Review: Loctek FlexiSpot Sit/Stand Workstation

I spend too much time at my desk, whether it’s for editing, building graphics, writing, or coding. I find that alternating between sitting and standing makes the day go…

Fusion 8.2 now on Mac/Windows/Linux, for free

Fusion 8.2 now on Mac/Windows/Linux, for free

Blackmagic Design has announced that Fusion, a high-end VFX package, is now available on Linux as well as Mac OS X and Windows. Fusion 8.2 is a free…

R.I.P., VHS VCRs

R.I.P., VHS VCRs

Japan’s last manufacturer of VHS VCRs, Funai Electric Company, will end production of the recorders this month, as reported by Anime News Network. Funai sold 750,000 VHS…

Fujifilm’s free color space converter

Fujifilm’s free color space converter

Fujifilm makes high-end LUT boxes allowing both color space conversion and look creation. The flagship IS-100, a.k.a. CCBOXX, is a full-freight, ACES-compatible color management…

Gamma vs. Log: tonal-scale rendering

Gamma vs. Log: tonal-scale rendering

In my V-Log L Revisited article, I went on at some length about neutral rendering across the tonal scale — how log capture preserves tonal relationships between brightness levels regardless…

V-Log L on the GH4 revisited, part 2

V-Log L on the GH4 revisited, part 2

In part 1 of this saga, I looked at the reasons you might want to shoot V-Log L on the GH4 (or other log formats on other cameras). In…

V-Log L on the GH4 revisited, part 1

V-Log L on the GH4 revisited, part 1

The release of the V-Log L upgrade for the Panasonic GH4 brought new attention to log capture in affordable cameras, resulting in new waves of both interest and confusion…

Dead Dreamcolor? Reanimate it.

Dead Dreamcolor? Reanimate it.

Got an original HP LP2480zx Dreamcolor display? Did it suffer catatonic failure? By that, I mean a failure where when you turn it on, the side-panel buttons and backlight…

ICA’s 2016 LED color quality survey

ICA’s 2016 LED color quality survey

The folks at Indie Cinema Academy went ’round the show floor at NAB 2016 with a Lighting Passport spectrometer and measured every LED light they could get their hands…

Last Call: Digital Bolex D16 to be Discontinued

Last Call: Digital Bolex D16 to be Discontinued

A blog post from Elle Schneider on the Digital Bolex site reveals the sad news: after 30 June 2016 at 11:59 PM PST (that’s this Thursday night…