Panasonic continues to deliver what Broadcasters are looking for with the single-lens AJ-PX230 camera. Simple, easy to use by a layman/laywoman feels like the theme of the AJ-PX230. For a 1080HD only camera, the AJ-PX230 has a lot going for it. For example, many broadcasters may find this camera already fits into their current workflow. […]
I’m usually all about post-production here on my blog but our local to Nashville filmmakers group The Nashville Filmmakers Guild is putting on our first hands-on workshop on Saturday, July 30: Lighting. The price is $95 for a General Admission and $70 for NFG Paid Members. We will have longtime Nashville gaffer and lighting wizard […]
Read More… from Nashville Filmmakers Guild Lighting Workshop – July 30
In my V-Log L Revisited article, I went on at some length about neutral rendering across the tonal scale — how log capture preserves tonal relationships between brightness levels regardless of exposure settings, within reasonable limits. This consistent capture lets you adjust levels in post without materially affecting the look of the image, so that […]
Hasselblad’s A5D camera with a sensor that is almost twice that of those used in today’s best 35mm DSLR cameras introduces a complete change when it comes to aerial photography. DJI and Hasselblad promise more products in the future. The A5D-M600 bundle is the first joint product following DJI’s recent investment in Hasselblad. The combination of […]
What makes a project good to work on? I’ve worked on more productions than I can remember but some projects were definitely more enjoyable to work on than others. There were projects I thought would be great but turned out to be nightmares, and projects that sounded mundane that turned out to be hugely rewarding. […]
