Company 3 is proud to announce the addition of award winning colorist Bob Festa. Bob is one of the most accomplished colorists in post production. His credits include virtually all of the world’s best known brands and some of the most iconic commercial advertising ever created. Along the way, Bob has worked with the industry’s […]
When colorist Patrick Inhofer was first contacted by the filmmakers for the short film horror anthology website BloodyCuts.co.uk, he knew right away that he wanted to be involved. The Bloody Cuts team shares a love and passion for horror films and has presented the anthology online as a free web series. They contacted Patrick to […]
Read More… from DaVinci Resolve Provides Color Correction for Short Horror Film ‘Dead Man’s Lake’
Here's some of the last few weeks or so of assorted After Effects tutorials, tips, and scripts & plug-ins new and old. Adobe is celebrating the 20th year of After Effects. Above is AE before the killer 2.0 feature: the Timeline window (which combined Time, Properties, and Layers). To kick off the party, Adobe posted […]
With the advent of Thunderbolt a new option arrived for editors in the form of an easy to use video capture and playback interface for your editing computer that doesn’t have to sit inside a tower. Adding Thunderbolt to iMacs and laptops means portability and affordability is an option for editors like never before. Both […]
Read More… from Comparing two Thunderbolt capture and playback devices
This week on MacBreak Studio, I show Steve Martin from Ripple Training how you can create and reposition animation paths in both Motion and Final Cut Pro X. […]
Read More… from Moving Motion Paths in Motion and Final Cut Pro X
Recently, I had an opportunity to review what I have always considered to be the on camera monitor to which all others are judged: Marshall. Marshall has achieved this by manufacturing monitors that are streamlined inside and out. When Marshall puts it's products on the shelf, you can have confidence you are buying a product […]
