Autodesk Smoke and RED Workflow at Oakley

James Masters, Global Video Manager, talks about how Oakley shoots on the RED Camera® and uses Autodesk® Smoke® software in its in-house post-production pipeline to create corporate videos, short films, and advertising projects. Learn more about Autodesk Smoke on AREA […]

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Last week in After Effects

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Here’s another week or so of some news on After Effects tutorials, plug-ins, scripts and more. Thanksgiving was last week but there was substance from Video Copilot, a start on some broadcast-style graphics, LED light walls & casino-style text lights, green screen tips, 3D cubes and other shapes, linking objects with lines, results of a user’s […]

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LED and Casino light text effects in After Effects

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In a new tutorial, Daniel Moreno shows you how to Create A Glittering Cabaret Light Display with Las Vegas bulb lights and make them shine in different patterns with Trapcode Starglow and Particular. Here's a list of similar treatments that built LED, light wall, or Jumbotron-type looks with AE filters like CC Ball Action […]

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PsF’s missing workflow, Part 7: Adobe Premiere Pro CS5.5.x

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In parts 1-3 of the PsF’s missing workflow series, we introduced the terms benign PsF & malignant PsF, and revealed the PsF status of several professional AVCHD cameras from 3 manufacturers (Canon, Panasonic, and Sony). In part 4, we did the same with several file-based HD video recorders from 6 different manufacturers. In part 5, […]

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Autodesk Smoke Technology at IBC2011

At IBC2011 I spoke with AVID, Promise Technology, and AJA to see how editors are pairing Smoke with the latest gear to build diverse workflows for color correction, on-set effects or editorial, and stereoscopic 3D finishing. From AVID’s artists series control panels for precision grading to laptops running high-speed Thunderbolt storage from Promise, you’ll see […]

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