Brighter Whites; Richer Colors, Part 1: 16-235

Brighter Whites; Richer Colors, Part 1: 16-235 1

Footage that imports into After Effects with its internal “601” luminance levels intact (left) looks washed out compared to how it really should look (right). Footage courtesy Isuzu and Perception Communications. Have you ever received washed-out images from a client – or even yourself? Did you just let it slide (“well, that’s the way they […]

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